If you are old enough to remember the first Hellboy (2004) or even Hellboy II: The Golden Army (2008) you know what a perfect fit Ron Perlman was to play the title role.
Not only did he look the part when in costume, but his demeanor and swagger was a perfect portrayal of the character. Add in Guillermo del Toro as the writer/director and it was a recipe for success.
For some reason, the powers that be decided to not use del Toro for the third installment of the Hellboy franchise. Ron Perlman told them, if del Toro is out… so am I. Which is what led us to getting David Harbour as our new Hellboy.
I think David Harbour is a great actor. He is a believable Hellboy. My issues come with what I have seen in the trailers for this movie thus far. There seems to be an abundance of CGI rather than practical effects. CGI is great when done correctly and not overused.
The CGI in the trailer kinda pulls you out of the moment. The look of Hellboy in the first trailer was alarming. They did make him look better in this most recent trailer, but there is still something not quite right. The face appears to be very mask-like. Not a lot of movement in the face. It’s almost like he got too much Botox at the plastic surgeon’s office.
The story is one we have seen before as well. An evil entity shows up and wants to team up with Hellboy to bring the supernatural creatures to prominence in our world. The writers should have dug a little deeper into the Hellboy library to find one of the many great stories that haven’t been brought to the big screen yet.
Hellboy is one of our favorite comic book characters. We are hoping they are able to correct the shortcomings that appear in the trailers before the movie hits theaters. Do you agree with us about what you saw in the trailer? Let us know in the comments.
When I first went to the see the film Coco, I made sure to take my niece. I wanted her to have the experience of seeing our culture reflected on the big screen. The funny thing is, I ended up being the one in tears at the end of the film.
To see things that were familiar to me, the music, the clothes, the food…not as a side item, or the butt of a joke, but as the main attraction and done not with ridicule, but with pride; I cannot explain the surge of joy and pride that filled my heart in the first 5 minutes.
There was so much more to that film than I had even realized. The entire movie has an undertone theme of “crossing.” The central character Miguel accidentally crosses to the other side, some ancestors are denied access at the toll and are unable to cross. It was hard to miss that undertone, that even in our death, we will be subject to “declaration,” “pathway,” and “crossing.”
Then there was the beauty of memory. I think that was my biggest take away from the film.
I remember crying when the one guitar player disappeared because no one “remembered” him anymore. By the time we reach the end (spoiler alert) and ‘Mama Coco’ dies, I was an emotional mess, she remembered her father’s song and thus he lives on, she lives on, in the memory. I remember immediately thinking of my loves one, just in case.
Watching the movie was an experience, within the experience. I couldn’t fully focus at first because, like a child at Disney, I was in awe, the music, the colors; the fact that is was an all-Latino cast meant familiar speech, the rhythm in which the family spoke to each other…all of it, was home.
In this weird time of a post-election Trump’s America, as a Mexican-American, I am exhausted. Since the presidential campaign, I walk around not sure of who I will encounter. Speaking Spanish, being proud of my Mexican culture and identity can now be seen as an act of rebellion, but for many of us, it just simply “is” – it is just being.
Watching the Oscars last night at the moment that live performance with Gael García Bernal sang “Remember Me” the theme song from Coco, I felt the same lump in my throat and the tears begin to well up. This is the first time (in my life) I can remember seeing images of Mexico displayed in honor of a nomination at the Oscars.
Again it was filled with beauty and sophistication, the dancers in ‘Traje de Charro’ and traditional “Ballet Folklórico” attire. This is the Mexico that I think of when I think of Mexico.
Although we still have miles to go with equal representation in media; I think many of us had tears throughout the night. To hear the young actor, Anthony Gonzalez (who voiced the main character ‘Miguel’) hold an Oscar, give his speech in English and say “Viva Mexico!” filled my heart with pride.
Guillermo del Toro brought the win for ‘Best Director’ and ‘Best Picture’ making it the 4th year – of the last five years – a Mexican director takes home the top honors (with the exception of 2017). Alfonso Cuarón began the legacy winning ‘Best Director’ and ‘Best Film Editing’ in 2014, Alejandro González Iñárritu took ‘Best Director’ / ‘Best Picture in 2015 and another ‘Best Director’ in 2016.
Plenty of A-lister Latinos made appearances, Gina Rodriguez, Lin-Manuel Miranda, Benjamin Bratt, Salma Hayek…to name a few. The tribute to “unsung heroes” performed by Common and Andra Day, included activist/icon, Dolores Huerta and international celebrity Chef, José Andrés – who most recently flew to Puerto Rico to aid in the rescue efforts, providing millions of meals to the island – were among those that were honored.
Throughout the entire show every time I heard The Shape of Water or Coco get an award or mentioned in a category, I was at home screaming HECK YEAH! Judging from my social media feeds, I wasn’t the only one. It was a beautiful night of pride and victory.
For many of us, Oscar night was about so much more. It was about breaking stereotypes and finally having some visibility and recognition. It was about freely embracing our identity, about unity and inclusion rather than exclusion.
It is about saying to the world – and the man sitting in the White House – we are not all “rapist and criminals.”
Funny story. Guillermo del Toro originally pitched The Strain to TV networks but none of them wanted it. He did not give up on his story and brought it to comic books. The comic books were well received. Then TV networks started approaching Guillermo about adapting The Strain comics into a TV series. It makes you wonder.
Vampires in The Strain are not pretty. They do not shine or sparkle in the sunlight. There is nothing romantic at all about The Strain vampires. Guillermo treats vampirism as an infection. This infection causes drastic changes to the body and mind. Most vampires are mindless parasites under the control of one of the few ancients. One of these ancients, The Master, is no longer in hiding and has plans to take over the world. Of course, everyone knows when you take over the world you have to start in New York City.
A group of rag-tag survivors along with a hybrid human/vampire have spent the last couple of seasons doing their best to stop The Master from taking the Big Apple. So far the vampire infection has been isolated to the city.
FX has set an end date for The Strain
Currently in the middle of its third season, FX said the series has been renewed for a fourth and final season that will air next summer (2017).
The series is based on the book trilogy of the same name from Guillermo del Toro and Chuck Hogan. The series was originally going to run for three seasons, one for each book. Show-runner Carlton Cuse said they realized they needed one more season to fully tell the story.
“It is a true joy to work at FX where creative intentions always comes first,” said Cuse in a statement. “Our original plan was for the series to last three years. Once we began telling that story it expanded to be more. After finishing the writing on season three Guillermo, Chuck, and I looked at our remaining story and felt the best version could be told in one more season. We have a fantastic plan for an exciting and climatic season four. We are deeply grateful to FX for supporting our vision and for allowing us to end the show on our own timetable.”
In a joint statement, Nick Grad and Eric Schrier, Presidents of Original Programming, added. “Though we’re sad to see it go, we fully support the way in which they are crafting the fourth season’s dramatic conclusion.”