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Tag Archives: zz top

El Maida Shrine welcome Billy Gibbons of ZZ Top for Meet and Greet March 30th

The El Maida Shrine‘s 110th Potentate’s Ball will feature a rockin’ guest when they gather for their event at the end of March.

Billy Gibbons, lead guitarist of legendary Texas band ZZ Top, will be in attendance on Saturday, March 30, 2019 at El Maida Shrine ballroom located at 6331 Alabama Street.

Dinner will be included in all ticket packages, as is a special meet and greet with the guest-of-honor Mr. Gibbons.  El Maida Shrine officials say they are expecting a sellout, and are urging members and fans to get their tickets in advance.

Tickets for Shriners and partners are $110 per couple or $70 per individual, for non-Shriners tickets are $150 per couple or $80 per individual.

Doors open at 6:00 p.m., dinner is served at 7:00 p.m.. Meet and Greet with Mr. Gibbons will be held from 8:00 p.m. to 10:00 p.m.

Credit card, debit card, checks and cash will be accepted. For more information regarding this event, please contact the El Maida Shrine office (915) 562-1444.

Story in Many Pics: Guns N’ Roses, ZZ Top Rock the Sun Bowl

It was the concert many El Pasoans have been waiting for since last year, as ZZ Top and Guns N’ Roses finally arrived in El Paso to rock the Sun Bowl.

Thousands of rock fans invaded the stadium, and among the masses was our very own Andres Acosta, while he didn’t don his favorite top hat, he did take his trusty camera and brings you all the concert action in tonight’s ‘Story in Many Pics.’

El Barrio del Diablo: FastForward to the Music – A Li’l Band From Texas Says ‘Hello’

All the way from Nottingham, England, Ten Years After had a date with a well-behaved EP audience that got a heavy dose of British-styled blues rock.

But first, the opening band.

Here was a nondescript trio that appeared like local regular guys. Sort of. The lead singer and guitarist wore a sports coat and jeans, his glasses resembling the classic round frames that John Lennon wore in his later years. The bass player had a beard and wore a modest beige-colored cowboy hat. The drum kit brand was Fibes, and rested on a riser that was draped with a colorful sarape.

The logos on the speaker boxes had a small palm tree with the words: Rio Grande.

Without any introduction, the moment they hit their first few notes these three guys punched out some boogie blues music that immediately turned heads and shut up the small talk around me.

Before ZZ TOP became the weird beards: Dusty Hill, Frank Beard and Billy Gibbons – circa 1969
Before ZZ TOP became the weird beards: Dusty Hill, Frank Beard and Billy Gibbons – circa 1969

Harmonizing on tunes like Francine and Chevrolet, they rocked the house with others like Backdoor Love Affair and Just Got Paid. We were witnessing the early look and stripped-down awesome sound of ZZ TOP.

They played such a memorable set, the promoter booked them six months later to headline another EP show, with local band “Gorilla” opening. Tickets for that show were $2. That is not a typo.

It would be the beginning of a decades-long relationship between the little ol’ band from Texas and countless Coliseum audiences (including the Civic Center crowds in 1974, for the Fandango tour.)

The first time I heard Ten Years After’s live version of “I’m Going Home” from the Woodstock soundtrack, I thought I had peed my pants. Alvin Lee’s one minute and five second pyrotechnics in just the intro alone, is nothing short of a guitar clinic.

This 12 minute rock classic is a relentless and frenetic 4/4 time rocker with a ridiculous 119 beats per minute; and entertains the most hardened music critics still out there.

So after witnessing a hot little no-name band light-up the Coliseum stage, one wondered what Ten Years After had in store. It was something entirely different.

tenyearsafterTaking a page from their album at the time, Cricklewood Green, the band walked on and started nice and easy with “Love Like A Man”, creating an ethereal, bluesy atmosphere in the cow barn. Maintaining the vibe into their set with several other slow numbers, the band took their time getting to the rough stuff.

Then, “Good Morning Little Schoolgirl” and “I Can’t Keep From Crying”, turned up the volume to eleven. During one solo, using the mike stand as a slide, Alvin Lee showed the audience his prowess with his trademark Gibson ax.

After killing it at the end of the show with I’m Going Home, the crowd rose to their feet for the encore as TYA gave the lone star state a nod with “Sweet Little Sixteen” ( “Deep in the heart of Texas, and round the Frisco bay”).

The Coliseum had welcomed and cheered on two new acts that had not played EP before, and thanks to the promoter TYA returned two more times. Once more at the Coliseum ’71 and another at the Civic Center in ’74.

The lights went on and as I walked up the ramp from the main floor to the corridor that separated the stands from the exits, I stopped and looked left after something had caught my attention.

At the end of the corridor was a makeshift barrier in front of the dressing room door. From a distance I saw Ric Lee and Leo Lyons leaving. I got closer and waited.

After a minute, Chick Churchill walked out, then Alvin Lee. I reached out to shake his hand and he stopped for a moment. I thanked him for an awesome show and he humbly and quietly said, “Thank you”.

And the little ol’ band from Texas? They continue touring to this day. Those boys were born to boogie!

Next: an impromptu meeting with Ozzy Osbourne and Black Sabbath!

Jose Oswaldo RicoDo you recall any rock shows from that era? Leave a comment! I’d like to hear from you.

José Oswaldo Rico, Guest Contributor

Previous  columns HERE

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